4th EDITION

International Film Heritage Festival

Yangon, 4 – 13 November 2016
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Under the Sun of Satan
Sous le soleil de Satan
Maurice Pialat
France – 1987
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Cast: Gérard Depardieu (Donissan), Sandrine Bonnaire (Mouchette), Maurice Pialat (Menou-Segrais), Alain Artur (Cadignan)
Screenplay: Sylvie Pialat, Maurice Pialat
Cinematography: Willy Kurant
Production: Erato Films Films, A2, Flach Film, Action Films, Centre National de la Cinématographie, Sofica Investimage, Sofica Créations
Language: French
Duration: 93 min
Color: Color

Synopsis: Donissan and Mouchette are bonded from the start, as he gazes across space and time at her killing her paramour. Donissan is a priest whose intense physical self-punishment is rendered all the more terrifying by his manifest physical strength. The fury of his religious devotion alienates his parishioners even as he seems to sense the presence of the Devil more clearly than that of God. Plagued with doubts, he seeks council with his mentor, dean Menou-Segrais. Having grown up poor, Donissan knows too much of the world’s filth, which complicates the purity of his theology. The bourgeois dean has the luxury of being worldly, sufficiently removed from harsh realities of life that he can embrace the contradictions of God’s teachings and creations. An unlikely gift from an encounter with an agent of Satan, Donissan has been given vision and insight, and the ability to heal and perform miracles. The priest blurs the line between good and evil, performing works in God’s name with power derived from the Devil. When he intervenes in the life of the sixteen-year-old girl who sleeps with older men, casually giving herself away even as she knows that she’s being used, Mouchette is ultimately undone by his misguided attempts to help her.


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2001: A Space Odyssey
Stanley Kubrick
UK / USA – 1968
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Cast: Keir Dullea (Dr. Dave Bowman), Gary Lockwood (Dr. Frank Poole), William Sylvester (Dr. Heywood R. Floyd), Daniel Richter (Moon-Watcher)
Screenplay: Stanley Kubrick, Arthur C. Clarke
Cinematography: Geoffrey Unsworth
Production: Metro-Goldwyn-Mayer Stanley Kubrick Productions
Language: English, Russian
Duration: 149 min
Color: Color

Synopsis: Is life on Earth the result of an accidental combination of carbon-fixing mechanisms, and do those mechanisms—organic matter—grow, survive, and evolve for some greater purpose than mere existence? When a large black monolith is found beneath the surface of the moon, the scientific community assumes that it has been intentionally buried, left as a guiding marker by a superior alien intelligence. An interplanetary expedition comprised of the brightest minds is mounted on a state-of-the-art spacecraft, the S.S. Discovery, to determine the point of origin of the mysterious artefact. It is assumed that the quest will bring the crew in contact with higher knowledge, perhaps to the next stage of evolution, but little do they know that on their very ship the self-adaptive Artificial Intelligence HAL 9000, a human-made supercomputer in charge of life support and navigation systems, is developing its own form of rudimentary self-awareness. For the synthetic entity HAL and captains Dave Bowman and Frank Poole, survival and evolution may not need advanced alien intervention, as they learn that for all of its techno-scientific hubris, the human species is still very much in its infancy.


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27 Down
Awtar Krishna Kaul
India – 1974
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Cast: Om Shivpuri (Anna, Sanjay’s father), Rakhee Gulzar (Shalini), M.K. Raina (Sanjay), Rekha Sabnis (Sanjay’s wife), Sudhir Dalvi (Sanjay’s friend)
Screenplay: Awtar Krishna Kaul
Cinematography: Apurba Kishore Bir
Production: National Film Development Corporation of India (NFDC)
Language: Hindi
Duration: 115 min
Color: Black and White

Synopsis: On 27 Down, the Bombay-Varanasi Express line, an older Sanjay is on a pilgrimage journey. He recalls episodes from his life as familiar landscapes emerge along the way. As a young boy, his father, Anna, had been severely crippled by a work-related accident at the railway. Having grown old enough to work, Sanjay gives up his dream of becoming an artist in order to support his family and, with Anna’s help, takes up a job as a ticket checker. He meets a Life Insurance Corporation employee, Shalini, on the suburban train, and after a few encounters they fall in love. Sanjay begins to see life in new ways, but when his traditionalist father finds out about the relationship, he quickly arranges a marriage with a girl from the village. Sanjay accepts the match, reluctantly, but is unable to get Shalini out of his mind and heart.


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Vanishing Point
Richard C Sarafian
USA – 1971
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Cast: Barry Newman (Kowalski), Cleavon Little (Super Soul), Dean Jagger (Prospector), Victoria Medlin (Vera Thornton)
Screenplay: Guillermo Cabrera Infante, Barry Hall
Cinematography: John A. Alonzo
Production: Cupid Productions
Language: English
Duration: 99 min
Color: Color

Synopsis: Kowalski works for a car delivery service. His job getting a 1970 Dodge Challenger from Colorado to San Francisco turns into a bet that he can make the trip in less than fifteen hours. After a few run-ins with motorcycle cops, the highway patrol launches an operation to bring the speeding law-breaker into custody. Along the way, Kowalski’s car radio remains tuned to the KOW station from where Super Soul, a blind show host equipped with a police radio scanner, uses the airwaves to communicate with our rebel without a cause. Following countless chase scenes, gay hitchhikers, a naked woman riding a motorbike, lots of Benzene and Benzedrine, the last American hero’s ride finally catches up to the opening of the film in a glorious fireball of muscle and motor parts.


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Apocalypse Now
Francis Ford Coppola
USA – 1979
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Cast: Marlon Brando (Col. Kurtz), Martin Sheen (Capt. Willard), Robert Duval (Lt. Kilgore), Frederic Forrest (‘Chef’), Sam Bottoms (Lance), Laurence Fishburne (‘Clean’), Albert Hall (Chief Phillips), Harrison Ford (Col. Lucas), Dennis Hopper (Photojournalist)
Screenplay: John Milius, Francis Ford Coppola, Michael Herr
Cinematography: Vittorio Storaro
Production: Zoetrope Studios
Language: English, French, Vietnamese
Duration: 153 min
Color: Color

Synopsis: At the height of the Vietnam war a burnt out special forces operative, Captain Willard, is ordered to carry out a mission that, officially, does not exist. His objective is to travel up the Mekong river by boat and, ‘with extreme prejudice’, to terminate the command of a renegade Green Beret Colonel named Kurtz who has gone insane. Deep in the heart of the jungle, Kutz has established his own world, reigning as a god among the indigenous people. As Willard enters into the jungle, he is slowly overtaken by the its mesmerizing powers which grow ever stronger as the chaos and insanity around him thicken. He soon learns that Kurtz was once one of the most talented officers in the U.S. Army, a shining example of military discipline and culture. What happened to him? Along the way, the little boat crew encounters a series of deranged scenes of violence and depravity, and as he confronts the futility of war Willard begins to understand what pushed Kurtz over the edge.


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Diamond Island
Davy Chou
France – 2016
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Cast: Sobon Nuon (Bora), Cheanick Nov (Solei), Madez Chhem (Aza), Mean Korn (Dy), Jany Min
Screenplay: Davy Chou, Claire Maugendre
Cinematography: Thomas Favel
Production: Aurora Films
Language: Khmer
Duration: 101 min
Color: Color

Synopsis: Bora leaves the poverty of his village to seek better luck in Phnom Penh. He takes up a back-breaking job as a construction laborer on the luxury apartment building project named “Diamond Island,” intended for a new class of wealthy urbanites. Living in a shantytown near the titular complex, along with hundreds of other low-paid workers, he finds some good friends such as the chatty and somewhat punkish Dy, while catching the eye of lovely Aza, who seems to like him both for his modesty and good looks. But city life becomes complicated when Bora runs into his estranged older brother Solei, who left the homestead years ago and hasn’t really been heard from since. The latter seems to be living it up in Phnom Penh, driving around town on a fancy moped and hanging out with his own crew and girlfriend, all of it thanks to the help of a mysterious “American sponsor”—clearly Solei’s pimp—a fact Bora remains ignorant of or else doesn’t want to acknowledge. Through Bora’s experiences, we see a contemporary Cambodia as a society in transition, where the divide between the urban rich and the rural poor is growing quickly, and perhaps irreversibly.


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El Dorado
Marcel L’Herbier
France – 1921
El Dorado
Cast: Ève Francis (Sibilla), Jaque Catelain (Hedwick), Marcelle Pradot (Iliana), Philippe Hériat (Joao, le bouffon)
Screenplay: Marcel L’Herbier
Cinematography: Georges Lucas Georges Specht
Production: Gaumont Série Pax Société des Etablissements L. Gaumont
Language: French
Duration: 74 min
Color: Black and White

Synopsis: In Granada, Spain, Sibilla dances in a squalid cabaret called El Dorado, struggling to earn enough to care for her sick child. The boy’s father Estoria, a prominent citizen, refuses them both help and recognition, fearful of jeopardizing the engagement of his adult daughter Iliana to a wealthy nobleman. Iliana however slips away from her engagement party to meet her real lover Hedwick, a Swedish painter. Sibilla, in desperation after a further rejection by Estoria, sees an opportunity to blackmail him by locking the lovers overnight in their meeting-place in the Alhambra. Unaware of Sibilla’s deceit, the next day the young lovers decide to elope together and propose to take with them Sibilla’s son—Iliana’s half-brother—so that the boy can be properly cared for in a healthy climate. She reluctantly agrees, and returns to her empty room at El Dorado where Joao, the cabaret’s clown, tries to force himself upon her. Knowing that she will not see her son again, she performs a last dance on stage to rapturous applause before going backstage to end herself at the point of a dagger.


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Fitzcarraldo
Werner Herzog
Germany – 1982
Fitzcarraldo (1982)
Cast: Klaus Kinski (Brian Sweeney Fitzgerald – ‘Fitzcarraldo’), Claudia Cardinale (Molly), José Lewgoy (Don Aquilino), Miguel Ángel Fuentes (Cholo)
Screenplay: Werner Herzog
Cinematography: Thomas Mauch
Production: Werner Herzog Filmproduktion, Pro-ject Filmproduktion, Filmverlag der Autoren, Zweites Deutsches Fernsehen (ZDF), Wildlife Films Peru
Language: German, Spanish, Italian with English subtitles
Duration: 158 min
Color: Color

Synopsis: Brian Sweeney “Fitzcarraldo” Fitzgerald is an Irishman living in Iquitos, a small town east of the Andes. This eccentric entrepreneur has an indomitable spirit, but he is a terrible businessman. He dreams of building an opera house in Iquitos, and the booming rubber industry should readily supply the necessary capital. The parcel he leases from the Peruvian government for exploitation is nearly inaccessible, but with money borrowed from his paramour Molly, the brothel owner, Fitzcarraldo devises an ingenious plan to transport a steamship over dry land. Defying skeptical competitors, his unfaithful crew, and Nature herself, and aided by the indigenous people of the jungle, Fitzcarraldo successfully drags the ship over the mountain via a complex system of pulleys and sweat. However, when the crew falls asleep after a drunken celebration, the native Chief severs the rope securing the ship, releasing it in sacrifice to the river gods, who would otherwise be angered that the humans have defied them by taking a short-cut. Although the venture ends in failure, Fitzcarraldo goes through with his plan to bring opera to Iquitos.


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Genghis Khan
Manuel Conde, Lou Salvador
Philippines – 1950
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Cast: Manuel Conde (Genghis Khan), Elvira Reyes (Li Hu), Inday Jalandoni, Jose Villafranca, Lou Salvador
Production: Manuel Conde (MC Production)
Language: Filipino, Tagalog
Duration: 88 min
Color: Black and White

Synopsis: Temujin, who later becomes Genghis Khan, is a handsome, ferocious, cunning, but likable fellow, leading by virtue of his charisma as much as through physical prowess. While competing at the Man of Men contest, he falls in love with an enemy commander’s daughter, Li Hu. His great leadership trial, however, comes when he must restore order and exact justice for the sacking of his hometown, and he soon demonstrates his potential as a great conqueror.


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Journey to Italy
Viaggio in Italia
Roberto Rossellini
Italy – 1954
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Cast: Ingrid Bergman (Katherine Joyce), George Sanders (Alexander Joyce), Maria Mauban (Marie), Anna Proclemer (La prostituta)
Screenplay: Vitaliano Brancati, Roberto Rossellini, Antonio Pietrangeli
Cinematography: Enzo Serafin
Production: Italia Film, Junior Film, Sveva Film, Les Films Ariane, Francinex, Société Générale de Cinématographie
Language: English, Italian
Duration: 97 min
Color: Black and White

Synopsis: Catherine and Alexander, wealthy and sophisticated, drive to Naples to dispose of a deceased uncle’s villa. There’s a coolness in their relationship and aspects of Naples add to the strain. She remembers a poet who loved her and died in the war; although she didn’t love him back, the memory underscores the absence of romance in her life now. She tours the museums of Naples and Pompeii, immersing herself in the Neapolitan fascination with the dead, while at the same time observing the many pregnant women around; he idles on Capri, flirting with women but drawing back from adultery. With her, he’s sarcastic; with him, she’s critical. They talk of divorce. Will this foreign couple find insight and direction in Italy?